Maximum Clarity and Other Writings on Music

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Described by New York Times critic John Rockwell as "one of the best non-famous composers this country has to offer," Ben Johnston reconceives familiar idioms--ranging from neoclassicism and serialism to jazz and southern hymnody--using just intonation. Johnston studied with Darius Milhaud, Harry Partch, and John Cage, and is best known for his String Quartet No. 4, a complex series of variations on Amazing Grace. This collection of Johnston's writings spans his whole career and shows him to be a truly literate composer who writes about music, his own and that of others, with eloquence and charm. _x000B__x000B_"Maximum Clarity" and Other Writings on Music spans forty years and brings together forty-one of Johnston's most important writings, including many rare and several previously unpublished selections. They include position papers, theoretical treatises, program notes, historical reflections, lectures, excerpts from interviews, and letters, and they cover a broad spectrum of concerns--from the technical exegesis of microtonality to the personal and the broadly humanistic. The volume concludes with a discography of all commercially available recordings of Johnston's music.

Maximum Clarity and Other Writings on Music Review

Expertly edited by Bob Gilmore Reader in Musicology, Dartington College of Arts, England), "Maximum Clarity And Other Writings On Music" is a collection of writings on music by Professor Ben Johnston who taught theory and composition from 1951 to 1984 at the University of Illinois School of Music at Urbana-Champaign. Utilizing intonation, Professor Johnston reconceives familiar idioms ranging from neoclassicism and serialism, to jazz and southern hymns. This body of Professor Johnston's writings spans the whole of his professional career and documents him as a truly literate composer who was able to write about his own music as well as the music of others with accuracy, insight, and eloquence. "Maximum Clarity And Other Writings On Music" conforms to the highest standards of scholarship while being completely accessible to students and non-specialist general readers with an interest in music interpretation and criticism. Enhanced with a discography of all commercially available recordings of Professor Johnston's music, "Maximum Clarity And Other Writings On Music" is enthusiastically recommended for academic library and music department reference collections.

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