A Perfect Haze: The Illustrated History of the Monterey International Pop Festival

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The sights and sounds of one of the most famous music festivals in history come to life in this extraordinary compilation of photography, memorabilia, and firsthand accounts from the Summer of Love� s biggest event. It is the definitive book on the unprecedented gathering of folk, pop, soul, and jazz music icons, such as Jimi Hendrix, Janis Joplin, the Who, and Otis Redding. This chronicle features a wealth of previously unpublished material from the producer ��s archives, rare items from collectors, personal photographs from concert-goers, and dozens of new interviews with musicians involved with the concert, including Pete Townshend, Roger Daltrey, Ravi Shankar, members of the Jefferson Airplane, and Canned Heat. Through hundreds of photographs from notable artists alongside ephemera and memorabilia, such as programs, posters, advertisements, and album covers, the book evokes the magic moment of the festival as the epicenter of a groundbreaking movement, showcasing it in all its kaleidoscopic glory.

A Perfect Haze: The Illustrated History of the Monterey International Pop Festival Review

Hardcover-4 page Forward (including photographs), 242 pages of text, 6 page Glossary, 2 page Bibliography, plus a list of Photo Credits. The book is filled with very finely reproduced photos and memorabilia-both in color and b&w. The book itself is laid out chronologically, first as a money making venture, and then it's subsequent change into a non-profit festival. From there each chapter is broken down into performers on each day. A perusal of the groups covered in the book's chapters is awesome-the chapter on Saturday night, for example, includes MOBY GRAPE, Hugh Masekela, THE BYRDS, Laura Nyro, JEFFERSON AIRPLANE, and Otis Redding and Booker T. and the MGs, with the Mar-Keys. Besides the great photos, there's overviews of the performers, and in depth comments from band members like Jim (later Roger) McGuinn, Chris Hillman, Jack Casady, Paul Kantner, and so on, and others such as D.A. Pennebaker, Michelle Phillips, Art Garfunkel, Al Kooper, Eric Burdon, and Jerry Wexler, among other first hand accounts, and they all have something worthwhile to say. And every other chapter is filled with the same interesting observations, accounts, and photographs of this, the first (and last) festival of it's kind.

This book, endorsed by Lou Adler (one of the festival's organizers), brings to life all the people (including Alan Pariser who thought up the pop festival after seeing the Monterey Jazz Festival), performers, music, and the times, when many styles of music and performers came together over one weekend in Monterey, and transformed rock music into the juggernaut it became. Included in the book are many first hand accounts from musicians, fans, festival staff, and people attending the event. You'll read first hand accounts from Pete Townshend, Ravi Shankar, Al Kooper, Chip Monck, writer Robert Christgau, Lou Rawls, filmmaker D.A. Pennebaker, and members of many of the bands who played over this one spectacular weekend in 1967. It's staggering to think that in the space of one weekend, some of the finest rock, soul, folk, jazz, and pop artists were together for one glorious musical explosion. I remember that just the fact that bands from S.F. were willing to meet with the organizers-from "plastic L.A.", (seen as the epitome of commercialism)-and decided to play the festival, was met with much trepidation and suspicion from many people in the Bay Area at the time. And it's all covered in this book.

Besides the many great photographs, there's a slew of posters, programs, ads, album covers, and much more ephemera-a lot of it never seen before-and never in one book. The combination of insightful first hand accounts, the many penetrating, exciting photographs, all combine into what's probably the definitive inside look at this era-defining event. It's hard to decide between the comments and observations from performers and observers, or the photos, as to which is more important. Ultimately they both come together and tell an exciting, insightful, in depth story of music, youth, and the burgeoning rock culture that sprang up in it's aftermath. In some ways the Monterey International Pop Festival was even more important than Woodstock. Monterey was the first time that the majority of important bands came together to show the world (and themselves), that something truly new and exciting was beginning to happen. With instrument breaking, lighter fluid burning, soul shouting, blues belting, South African township jazz, melodic pop, innocent folk stylings-it's all here.

This book brings that era back to life, when rock music, over one weekend (during the real "summer of love"), began to assert itself as a powerful force on a number of fronts-culturally, economically, and metaphorically. Anyone interested in this era, the music it produced and popular culture in general will like this fine book. If you were there, this is an in depth reminder of that fine weekend. If you weren't, this book will tell the story as it's never previously been told. Reading this book, I was reminded of two other worthwhile reads-"Waiting For The Sun-The Sound of Los Angeles" by Barney Hoskins, and "Riot On Sunset Strip" by Domenic Priore. Together, these three books paint an accurate, interesting, informative, and exciting picture of the music, the musicians, and the late 60's era West Coast scene.

There were a number of events ("happenings") during this short but fantastic/weird/generation defining period, love-ins, be-ins, a "gathering of the tribes", etc. Speaking of that, the "seeds" of Monterey grew, in part, from the "Fantasy Fair and Magic Mountain Music Festival", also in 1967, in Mill Valley, Ca., held on Mt. Tamalpais. Tickets cost two (!) dollars, and transportation was provided by "Trans-Love Bus Lines". The general, unofficial description of the Fair, in those innocent times was, "The major happening is you...." Performers scheduled to appear included THE DOORS, THE SEEDS, Tim Buckley (a personal favorite), THE FIFTH DIMENSION, KALEIDOSCOPE (another personal favorite), and several other bands of the era. But the Monterey International Pop Festival was, in some ways, the capstone of it all. This book tells the story of a never to be repeated event, from a never to be repeated era. "A Perfect Haze" is a perfect title.

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