Cognitive Foundations of Musical Pitch (Oxford Psychology Series)

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Product Description

This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychologists, psychobiologists, musicians, music researchers, and music educators. The author provides the necessary background in experimental methodology and music theory so that no specialized knowledge is required for following her major arguments.

Cognitive Foundations of Musical Pitch (Oxford Psychology Series) Review

The book is clear and to the point. All research on probe-tone techniques until 1990 are covered in detail with extra information not available in the original articles. The book provides a deeper understanding of what the researchers were studying, looking to find, and what they found. I would recommend this book to serious researchers and students in the field.

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